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Every Love Song Is About You — Part VI

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This article is part of a series about my songwriting process in writing a song called “Every Love Song.”
micYesterday (February 6th), I spent about 5 hours doing lead and backup vocals and lyrics.

It generally takes me about 4 hours to do a lead vocal. That gives me time to work my way through every line and get it stylistically the way I want it. Then I go through and get the singing performance as good as I can. I usually go through one big section at a time (a verse, for instance) until I get it close and then zero in on each individual line (sometimes even focusing on just part of a line).

Often, the next day I come back and find additional things I can improve.

In this case, I was re-working the lyrics too as well as figuring out background vocals. I’ve been thinking the harmonies in the pre-chorus (the part that goes, “Can’t you see… Every line of poetry…”) should be lower than the lead vocal. Then when I hit the chorus, the harmony (or harmonies) could go up above the lead vocal. That would give the chorus some additional oomph. We’ll see how that works out next time.

I’ll listen over the next couple of days and see what I think about what I’ve done with the vocals. Here’s the current version.

Every Love Song Lead Vocal

Enjoy,
Keith

PS: Pretty rad space mural, don’t you think?

PPS: I’m 18 hours into the song now.

This article is part of a series about my songwriting process in writing a song called “Every Love Song.” Read the whole series here.

About the Author

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Keith Livingston is a songwriter, musician, producer, and engineer, with roots in pop, rock, punk, classical and classics. Keith has more than a dozen CDs under his belt as a producer and/or engineer. Keith writes music about everything from science fiction and horror, to religious oppression, and of course love.


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